twenty poems under dawn’s crescent

(as promised)

The sunrise slips into the living room. It’s hazy, we were up all night talking to make use of our last few hours. I’m squeezing your hand as your head nestles into my shoulder. The tears continue and I giggle a little.

“What’s so funny?” you say.

“I’m thinking of all the love poems I’m going to write about you when I leave” I kiss you on top of your hair.

You move to look at me, “Oh really, how many”

“Probably twenty”

“Only twenty?” you smirk.

Only twenty. Twenty chances for me to remember. Twenty steps for me to let go of you. When I return, I will be in a different space. We will be different persons. The sun knocks again and I have to pack my bags too.

I remember the creases of your eyes, I remember the way your thumb covered mine. That moment is just a memory, after all, half a hundred days ago. Half a hundred days - that’s how long I knew you. I loved you. However temporary, however momentary. I loved you, my moon, and it was worth everything.

  • you run gentle fingers across My Ink
    lines and scribbles of my heart
    suddenly make sense.
    they’re notes, and i read them.

    What does it mean to live a life
    and dream of These Quiet Nights
    side by side?
    to find someone of your voice even once?
    your music taste same as mine.
    not just what i enjoy, for i enjoy a lot.
    not just what i would dance to in passing,
    for i dance a lot.

    a melodious coffee cake not too sweet,
    with aftertaste amiss
    your eyes the same amber as mine
    if we’re lucky, under certain light we might even see
    your iris swirls of collapsed star a nebulous silence hungry and shouting

    In the pause before you respond to a question i ask
    (questions often unrelated
    to anything or anyone at hand)
    i smile. i know in a just few ticks of time,
    i’ll feel full body with just your voice
    with echo that lasts until sunrise
    with notes of forever
    or at least Tuesday
    for who needs Wednesday
    when we have right now?

  • on monday
    i fell in love with the color green
    the way the leaf half-covers the sky
    the way my toe sinks in bed

  • sometimes i dont like kissing you
    it traps our endless rivers
    irreverent clouds
    between two liquid lips

  • all i do is sleep later and later
    in the last 48 hours
    i have been consumed with thoughts of your touch

    like rust to uncoated steel
    like wave to sancastle

  • our city is hazy this morning
    we stop by your favorite breakfast stall
    a quick hug goodbye paired with a smile
    “text me?” i say
    and i walk an hour home.

  • the sky is clear.
    Problem is, I cant see from under the surface.
    Nor can I see over heels

  • it's almost dawn, and the tide is rising
    fingers dance to Ocean's gentle wind
    toes nestle between ridges of sand
    as for heart, well,
    my heart lost to the waves themselves.
    as i breathe,
    the longing and hope and despair
    comes and goes.
    in this manner i lay here for hours,
    quiet and sinking.
    Ocean herself pushes and pulls
    me, herself, my drenched body.
    I watch Moon fall as i fall with her.

    my heart, or where my heart should be
    feels different — perhaps a star has collapsed
    i feel a churning, round and around
    a nebula to another is forming
    the momentum has picked up now

    the love is overflowing now
    i need to let it out
    wash you in kisses, twiceover
    let your body relax, scream, shake

    but instead i am here,
    alone, on this beach.
    a star in your constellation,
    a night out with Moon and Ocean.

  • you prefer pencil, you always have.
    gradient light is spilled liquid
    light of no gender, neither do we.
    line by line you direct chaos to your liking.
    for you, you decide. you decide
    the fate of when graphite ends.
    how deep shadows are, the wind you hold
    along small arch of your back.

    the peace of pen, for me,
    is the weight body carries.
    we shoulder consequences of ink.
    i create gradient in black and white
    no grey, no color, no minute sands.
    just touch or not touch, it’s quite simple really,
    it’s a choice we made.

    and we chose us.

  • this poem is not about you.

    i fell for the idea of you, after all;
    or rather, ideas of you, from you.

    for your mind bleeds ichor
    dipped in River Black for contrast.
    your body merely an easel
    for your hand, a vessel
    for your graphite, shadow
    upon shadow to your liking.

    A stunning portrait:
    “You More Than You.”
    20 x 23.
    Ichor on Paper.

  • perhaps i just need a touch on the shoulder to steady myself.
    perhaps i just need a night where
    we forget all else and we're
    just us,
    just now.

  • when we left that cafe
    we left ourselves behind

    untamed wind! beckoning to none.
    it was our world, we were the artists
    the world was colored and shaded to our liking
    nothing could ground us.

    until we left that cafe
    on the second floor
    on that quiet street

  • aren’t we late,
    for a date with the moon?

    we tend to this kindling
    hoping embers grow to flames
    long lasting and seen through valleys of mountains
    everlasting and evercloser

  • The pinks and yellows remind me of what love is,
    or what it should be.
    or maybe just a love so short

    I didn’t have a chance
    to accidentally hurt you.
    like i typically do.

  • sometimes we discuss
    the infinite wisdom of stars,
    or how inevitable waves are

    sometimes we conjure intricate curves
    of feminine strength and masculine delight
    shaded by falling moon

    sometimes we just doodle flowers
    and laugh until rising sun
    Goodbye, my Moon.

    We knew we’d run out of night by April dawn.
    But I’m not hungry for breakfast
    or Ocean’s Fate just yet.
    So can we just tend to our
    fading star just a bit longer.

  • when you return home
    you paint. if not, then what else?
    twenty portraits, in fact, drawn
    again and again
    as you remake yourself
    to become yourself

    when I return to my home
    far too far from yours
    I write twenty poems
    one for each day I loved you.
    I remiss this time, this place, this us.
    arrangement of consonants
    glued by melody of vowels

    Ink will not dilute like my mind does
    But always a poorly rendered imitation
    not even close to what it felt like
    to be next to you.

    this latest one is called
    “What is love but intentional desire?”

  • sometimes i feel this young eye
    will only cataract with time
    like shower door blurs, like aging blade dulls
    not something that glasses will fix
    perhaps if i knew how to fight it i would

  • one day
    i'll lay down my brush
    and draw the line that never ends
    i'll follow soft curve of my breasts
    down to my chipped pinky toe

    ink black as night
    visible in sunrise that lasts forever
    where lonely clouds
    change shape, form
    borrow each others colors
    but hide when sun slips above skyline

    brush will lift at times,
    almost lift off canvas
    but hang on, even if by a single thread

    my forever line will reach sky where no
    bird has dared venture
    or died
    here i will fall
    fall like a leaf like arrow like i do

    its 5 am.
    i share quiet solitude
    with love stories that began last night
    but not mine

    it's 5 am. wake up. its time to live
    the shadows are only getting shorter
    good morning my moon
    say hi to her for me, will you?

  • it's summer now
    the days are longer
    and our texts are shorter

    i cant quite remember
    the way your face felt
    when i traced my fingers
    from the top of your nose
    across your forehead
    and lingered on your cheek

    eroded bodies
    are often forgetful, aren't they?

  • Your kiss lingers. The taste of sky blue with a hint of green Valley.

    This moment must end, like all the others. I think the ends of moments are quite beautiful, actually. In ending moments we can decide, with absolute certainty, that this is a moment worth ending. We don’t mark ends of what is not significant to us, after all. A cute little bow wraps up what was the best surprise present, soon to be passed on from day to day as a photo. Woven into a book, even. Perhaps colors will fade but certainly not by much. A memory is a gift to tomorrow me, a goodbye is proof these nights carried weight of truth.

    Besides, it brings me comfort to know the temorariness of this few seconds, the end of this fantastical adventure, means I can’t hurt you anymore. Or perhaps this goodbye is the last time I hurt you. Is this a cowardly thing to admit? Most definitely. But I am facing the reality of who I am, how I need to change, and I am simply hoping we meet again under the right circumstances, where I am a better person - incomplete and still as emotional as always, sure, but better. Just a better person than who I am now. And in that moment I know we will see the new moon together.

  • when we last kissed
    we shared a street corner
    it was raining ever so slightly
    your body slipped through my hands
    and it was a quiet fall
    just like before

    you whispered in my ear
    “you’ve left carvings
    and inscriptions on my soul”

    my heart broke in that moment
    for the second time that month.

    carvings and inscriptions
    are for archeologists to find
    carvings and inscriptions
    are to be buried under well written sediment
    layered and folded and creased
    poem after poem after poem

    “good night,” I reply.
    “I’ll see you tomorrow”

    Problem is,
    Midnight Rain Washes All
    And I particularly love the colors of today’s sunset.

    But I leave anyways. I must. I check my bags for
    charger, phone, water bottle
    but i never looked to take
    our silent moments and shared stories
    those are intentionally left behind
    for us to find in a year or maybe
    we’ll leave it up to the archeologists.